Largely built between 1160 and 1190, Thoronet Abbey creates an impression of unity and great serenity. The church, the monks’ quarters and the cloister are all made of dry cut stone (no mortar), following ancient and austere building techniques, expressing the very essence of Cistercian life: poverty, purity and simplicity. Stone and light perfectly work together and emotion emerges from the stark austerity of the architecture. For centuries, the stones here have carried the songs of the monks, and today, tour guides continue the tradition.
Thoronet Abbey inspired several architects in the 20th century. Le Corbusier came here in 1953. In 1964, Fernand Pouillon wrote a wonderful novel ‘Les pierres sauvages’, which dramatised the construction of the Abbey. He often emphasises the placing of the stones: ‘… Most of the stones are handled roughly, clumsily: we will save time. The sun clings to the sides, the rays, and adds lustre to the shining materials…’
The church of Thoronet Abbey is one of France’s centres for Gregorian chants. It is said that, along with the Taj-Mahal, it has the longest reverberation time in the world. These almost ‘magical’ acoustics are largely due to the church’s proportions, calculated according to the ‘Golden Number’ – a ‘Divine Proportion’ later used by several painters and architects in the 20th century, including Mondrian, Dali and Le Corbusier.
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